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"Mornin', neighbors," he greeted the men in the buckboard, "won't you pull in?",

"Likely. Now I move we go right over into that ha'nted grove. What you say?",

"Well?" His mother's voice dispelled the vision. "Are you goin' to answer me, Willium?",

Here again the fellow paused, apparently striving to find words to produce his picture.

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It was not very long before the eleven sail of the line with their attendant frigates were swelling large, bristling, and close to the Aurora, at whose signal halliards stood two sailors who dipped to such battle-ships as the schooner passed receiving the acknowledgment of small ensigns gaff-ended, and then hauled down to be hoisted no more. The picture was full of a grandeur that borrowed majesty from the sense of the power and the empire[Pg 397] the ships symbolised. They were lordly in slow motion; they bowed to the swell as though in lofty homage to their mistress the sea; they were terrible in triple rows of cannon and by virtue of the traditional magnificent spirit, silent and concealed behind their lofty and invincible defences. It was the breakfast hour, but the people aboard the Aurora were very willing to wait to break their fast. Not a man but was fascinated by the sight and presence of that tall, majestic ship out there, with the little flag at the fore. For Nelson—the Nelson of the North, of Aboukir Bay, of Teneriffe, of St Vincent, the Nelson of a hundred wounds, the first of all sea chieftains in the history of the world, Nelson, the truest sailor, the kindest shipmate, the man of the purest and loftiest spirit of chivalry and patriotism that ever stepped the planks of a ship's decks—this great, this sublime hero, to be even greater and sublimer in his victorious and immortal death a few months later—Nelson was in her!,

"That ain't my fault!" bawled the man at the receding figure.,

Sir William Lawrence was very grave, his looks were stern, almost fierce, as he entered the boat. Captain Acton was cool and thoughtful. His brow was knitted; his lips were set. His demeanour was that of a self-possessed man confronted by a condition of things rendered complex by features extraneous to the main trouble or difficulty, yet confounding it by their existence. Lucy watched the scene from the after-part of the Aurora's quarterdeck. She stood alone in that part of the ship leaning upon the rail, and once or twice her gaze followed the boat that was bearing her father and the Admiral to the Minorca; but it was chiefly directed at the[Pg 434] barque whose length she explored for a sight of the tall figure whom she had immediately recognised as Mr Lawrence, whilst Sir William was surveying his son through his glass. She mused upon the amazing passage of her life that had filled the interval between the time of her going on board yonder ship, believing her father to be lying dangerously injured in her, down to the hour of her transference to the Whitby brig. Never was her pensive beauty more fascinating than now, whilst her soft dark eyes brooded upon the ship that had been her floating prison. What would Mr Lawrence say or think when he came to understand that her madness was feigned, a dramatic stratagem to obtain liberty and restoration? How would he—but how could he—face his father whom he had degraded, and her father whom he had robbed and wronged?,

"Well, Mr Greyquill, twenty-five guineas when I'm paid off on my return home. I can say no more, and can promise no more."